Kaparte Promotions presents:
Nocturne Folks @ The Half Moon
THE DIRTY CAKES
(feat. Dear Britch)
+ The Tallyman's Dark OMNIBUS
+ Keshco
Friday 30 May
The Half Moon (Herne Hill)
10 Half Moon Lane SE24 9HU
closest tube: Brixton
from 8pm to 1am
£6/£5 with flyer
info: 07870 832505
www.kaparte.info
www.halfmoonpub.co.uk
The Dirty Cakes
The Dirty Cakes (featuring members of The Electric Soft Parade) have created a cutting edge sound, packed full of cabaret jazz punk melodies that are lightly dusted with a dark and sometimes eerie aroma.
The Dirty Cakes are music to play over black and white silent movies, watched by an audience wearing top hats and tapping their feet, dressed like glam goth rockers with back combed hair and drinking gin cocktails.
'Zarina/Maison Mascara'
www.myspace.com/thedirtycakes
The Tallyman's Dark OMNIBUS
Urban,dark, gothic stories from Englands most innovative performer storyteller & songwriter
www.myspace.com/thetallymansdarkomnibus
Keshco
London trio Keshco write offbeat love songs, wry social commentary, and psychedelic whimsy. Shimmery synthpop and spiky folk. Picked acoustic guitars, old keyboards
and the Dynamike
www.myspace.com/keshco
Best new band in Glasgow, by a mile!
...Any more snooker cliches?
...Second track sounds like a more snarly mid-60s Who. Excellent.
...First one sounds like Sean Ryder having a flashback but second track is a killer.
...once you've drunk a bottle of Maker's Mark in Copehagen?
...The more I watch it, the more I like it.
...Sex on Fire is good once you've drunk a bottle of Maker's Mark in Copenhagen
...Tom from FORWARD RUSSIA recommends the spidery guitars of MINNAARS
...I love this tune. Like Jason Lowenstein fronting The Thermals covering Sweet Jane, with Steve Albini at the controls. In their blurb, they state "we play with passion, and that's...
Uber cool lo-fi drone rocking from ex-Electric Shocks two piece The Deathline. Here's what London Particular had to say about them...
...Promising Good Shoes style indie pop from Oxfordshire teenagers.
...Fantastic rendition of Stones classic by artrocking pioneer Patti Smith, whose voice sounds as good as ever on this track.
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